Melanie Cervantes
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Mock up for new print about Gloria Anzaluda. I was invited by the Serie Project in Austin, Texas to create a print as part of their latest portfolio. I choose to include this portrait of Gloria Anzaldua a groundbreaking thinker of  Chicana/lesbian/feminist theory. 
It honors her legacy by juxtaposing her portrait with Coatlicue the Mexica representation of mother earth. In Borderlands Anzaldua writes about ‘the Coatlicue State as a type of “internal whirlwind” which “gives and takes away life”, “invoking art,” and that it is “alive, infused with spirit” ‘(Anzaldúa 68, 88-89). 
I included a quote from Gloria that I really love:
“Until I am free to write bilingually and to switch codes without having always to translate, while I still have to speak English or Spanish when I would rather speak Spanglish, and as long as I have to accommodate the English speakers rather than having them accommodate me, my tongue will be illegitimate. I will no longer be made to feel ashamed of existing. I will have my voice: Indian, Spanish, white. I will have my serpent’s tongue - my woman’s voice, my sexual voice, my poet’s voice. I will overcome the tradition of silence.”

Mock up for new print about Gloria Anzaluda. I was invited by the Serie Project in Austin, Texas to create a print as part of their latest portfolio. I choose to include this portrait of Gloria Anzaldua a groundbreaking thinker of  Chicana/lesbian/feminist theory.

It honors her legacy by juxtaposing her portrait with Coatlicue the Mexica representation of mother earth. In Borderlands Anzaldua writes about ‘the Coatlicue State as a type of “internal whirlwind” which “gives and takes away life”, “invoking art,” and that it is “alive, infused with spirit” ‘(Anzaldúa 68, 88-89).

I included a quote from Gloria that I really love:

“Until I am free to write bilingually and to switch codes without having always to translate, while I still have to speak English or Spanish when I would rather speak Spanglish, and as long as I have to accommodate the English speakers rather than having them accommodate me, my tongue will be illegitimate. I will no longer be made to feel ashamed of existing. I will have my voice: Indian, Spanish, white. I will have my serpent’s tongue - my woman’s voice, my sexual voice, my poet’s voice. I will overcome the tradition of silence.”

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    [image description: a graphic showing an illustration of Gloria Anzaluda with the quote underneath “Until I am free to...
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    Beautiful. I highly recommend Melanie Cervantes’ tumblr! ABB
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